Splendor and Formation by Benjamin Lowder | curated by David Orr
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"PRS Geoflake 1" and "Eclipse Totems" images courtesy of the artist
PRS is pleased to present Splendor and Formation, a new exhibition of works by Benjamin Lowder at the Hansell Gallery. This marks Lowder’s first showing at PRS.
Works in the Splendor and Formation exhibition — sculpture, installation, and objects — are a continuation and extension of Lowder’s Myth, Math & Magic series of artworks. “On both formal and intellectual levels, Lowder’s process simultaneously explores construction and deconstruction,” says curator David Orr: “he often uses vintage advertising signage as a source to create work that breaks the spell of marketing and points toward the transcendent. In Splendor and Formation he is expanding ideas of language as source and geometry.”
This exhibition at PRS is especially meaningful to Lowder, whose practice is directly influenced by the work of founder Manly Palmer Hall. “I often listen to Manly Hall’s lectures while working in the studio, especially his rendition of the Sefer Yetzirah also known as the ‘Book of Formation.’” Lowder says, then elaborates: “The Sefer Yetzirah describes the specific way in which language, through the power of the ‘Word,’ sparks the formation of material existence.” Another influence on Lowder’s constructions is legendary designer, inventor, philosopher, and futurist R. Buckminster Fuller (Lowder is center director at the Fuller Dome at Southern Illinois University, Edwardsville, and a board member of the R.Buckminster Fuller Dome Home at Southern Illinois University, Carbondale). Echoes of Fuller’s geometries and social theories permeate Lowder’s work, and will manifest as an entryway installation via dome components unwrapped to form arches. “I’m interested in Fuller’s social theories as well as his visionary technical prowess,” Lowder says. “I always want my work to reflect both.”
It is fitting that Lowder is bringing architectural influences which bridge ancient and futuristic to PRS, a Los Angeles landmark designed by Robert Stacy-Judd. “I am grateful for the opportunity to show my work at the source of my inspiration," says Lowder. “I see this as an opportunity to explore connections between Manly Hall and Buckminster Fuller and their ways of thinking.”
David Orr is an LA-Based artist and curator. He founded the Hansell Gallery in 2018.
Works in the Splendor and Formation exhibition — sculpture, installation, and objects — are a continuation and extension of Lowder’s Myth, Math & Magic series of artworks. “On both formal and intellectual levels, Lowder’s process simultaneously explores construction and deconstruction,” says curator David Orr: “he often uses vintage advertising signage as a source to create work that breaks the spell of marketing and points toward the transcendent. In Splendor and Formation he is expanding ideas of language as source and geometry.”
This exhibition at PRS is especially meaningful to Lowder, whose practice is directly influenced by the work of founder Manly Palmer Hall. “I often listen to Manly Hall’s lectures while working in the studio, especially his rendition of the Sefer Yetzirah also known as the ‘Book of Formation.’” Lowder says, then elaborates: “The Sefer Yetzirah describes the specific way in which language, through the power of the ‘Word,’ sparks the formation of material existence.” Another influence on Lowder’s constructions is legendary designer, inventor, philosopher, and futurist R. Buckminster Fuller (Lowder is center director at the Fuller Dome at Southern Illinois University, Edwardsville, and a board member of the R.Buckminster Fuller Dome Home at Southern Illinois University, Carbondale). Echoes of Fuller’s geometries and social theories permeate Lowder’s work, and will manifest as an entryway installation via dome components unwrapped to form arches. “I’m interested in Fuller’s social theories as well as his visionary technical prowess,” Lowder says. “I always want my work to reflect both.”
It is fitting that Lowder is bringing architectural influences which bridge ancient and futuristic to PRS, a Los Angeles landmark designed by Robert Stacy-Judd. “I am grateful for the opportunity to show my work at the source of my inspiration," says Lowder. “I see this as an opportunity to explore connections between Manly Hall and Buckminster Fuller and their ways of thinking.”
David Orr is an LA-Based artist and curator. He founded the Hansell Gallery in 2018.
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On View: November 5, 2022 - February 25, 2023
Opening Reception: Saturday, November 5th, 2022 2:00-6:00pm Free and Open to the Public RSVP Regular Exhibit Hours: Tuesday-Friday 12:00-6:00pm, and by appointment (info@prs.org) *for sale inquiries please email events@prs.org Additional Programming: Splendor and Formation: A Conversation with Artist Benjamin Lowder, curator David Orr, and L.A. Weekly Arts Editor Shana Nys Dambrot, Tuesday, November 8th at 7:00 pm PT | WATCH HERE “Myth, Math & Magic”: Connecting Buckminster Fuller's Legacy Using Geodesic Geometry and Sacred Geometry to the Hermetic Wisdom Traditions that Manly P. Hall Explored with artist Benjamin Lowder | Thursday, February 23rd at 7:00 pm PT | RSVP |
“Exponentially greater than the sum of their parts, Benjamin Lowder’s reconfigurations of elements culled from vintage metal ads and reclaimed wood resemble mandalas, totems, and auric power portals. A shift in perspective occurs as the visual tropes and familiar design motifs of the signs are broken down — physically, literally, and cognitively — and reassembled into sacred geometric patterns in an architectural armature of tactile and weathered salvaged lumber. With a melancholy futurism and a sustainable-practice agenda, Lowder has been steadily exploring the universe of possibilities derived from this process.” - Shana Nys Dambrot, LA Weekly Arts Editor
“ All great art shares a secret but reveals its existence. Each of Benjamin Lowder's pieces not only invite us to share the adventure they hold within, but they also inspire us to imagine our own.” - Patti Astor, Fun Gallery |
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“La Merica," “Emissary," and “The Arbiter” images courtesy of the artist
