The Hansell Gallery is pleased to announce a new show, OBSERVED UNION by artist Wyatt Troll.
Opening: Saturday, June 22nd, 5pm-8pm, featuring dance performance by Katie Malia
Closing: Wednesday, July 10th
Exhibit Hours: Tuesdays 5pm-7pm, Fridays 11am-4pm, and by appointment (email@example.com)
Artist Statement: Our human experience finds us in conflict, both on and beneath the surface of life. We live in contradiction, feeling separated from our inner child, from nature, from love, and from the spiritual world while knowing there is a universal truth that connects everything down to the microscopic level. In OBSERVED UNION, the world is transcendent and filled with magic. Moments of divinity are revealed with a sense of patience and wonder; the contrasts of life depicted in harmony. Light and dark. Feminine and masculine. Each image, a meditation on beauty realized through expansive horizons and ephemeral nature, mirroring our union with the universe. The show features an original soundtrack by E Ruscha V., incorporating heartbeat recordings by Wyatt Troll.
Artist Bio: Wyatt Troll is passionate about creating images. As a photographer, cinematographer, and director, he is driven by honest storytelling through a visual language all his own. Being raised on a commune, then bred in New York City, makes for quite an interesting outlook. He attended LaGuardia School of Art, Music, and Performing Arts before moving to California to study photography at Art Center College of Design in Pasadena. Never without his camera, Wyatt has taken countless photographs throughout his life and career, honing a multifaceted understanding of spaces and human dynamics, both natural and staged. Drawing from art history, he is always looking for a new way of seeing. As a photographer, he has documented incredible human portraits and intimate circumstances of intrigue. His experiences have instilled a heavy desire to share the situations he has documented visually. His development as an artist never stops due to the dynamic surroundings of his life.
This exhibit is curated and produced by Yael Greenberg/CURRENT PROJECTS.
Artist Statement: Upon my retreat from conventional narrative filmmaking in 2017, my creative and spiritual growth began to emerge as one. Meditation and trance work all became extremely important for me, and with all of that, my new body of films was born. My daily meditative practices allowed the creative floodgates to open, bringing a complete sense of inner joy. Upon the creation of many of these metaphysical films, I was unaware as to what they meant but went about the execution of each one as a form of meditation itself. After all, everything and anything can be meditation if it brings a sense of joy to our soul. I was so entranced by these recent visual developments that hours and days could pass without me even realizing. Some of these experimental films hold more emotional impact than any conventional film I’ve ever made. Now I know why. However, I will always leave the meaning of these works up to viewers with the hope that they will find the same sense of joy, love, and excitement that I experienced while making them.
Soul Tones was one of the first metaphysical films I made after moving to Los Angeles. I discovered the Philosophical Research Society at exactly the right time in my journey and eagerly began collaborating with some of the other artists who also consider it their home away from home. While many of my earlier films were developed and executed with inspiration from books by Manly P. Hall, Aleister Crowley, and Hermann Hesse, among many others whom I have been reading since I was a curious sixteen-year-old, Soul Tones was one of the first films where I really had no preconceived idea as to what it would be about. I had recorded Kristin playing her sound bowls for a separate short I was making months prior and upon editing said film, was so completely captivated and hypnotized by the beauty of the notes, I knew I had to use them for something else. The result became a trance film that works to expose the viewer to other dimensions and energies that surround us in every moment of our lives that we may otherwise ignore. Essentially, the film became a document of loving awareness and positive emotion. With this piece, I hope that the observer will be able to obtain, even if just for a split second, a moment of inner peace and inspiration. Like all of the films I now make in this new stage of my career, I hope the love, passion, and absolute heart I put into the creation will resonate with the viewer and that glorious positive energy will be experienced. As we commonly say to one another “I’m sending my love." This is my way of sending love to the viewer. —Courtney Sell
The exhibit runs June 4th, 2019 - June 11th, 2019. Please contact firstname.lastname@example.org to make an appointment at the gallery. Public viewing hours are Tuesday evenings 5pm-7pm, and Fridays 11am-4pm.
THE UNIFIED FIELD: Picking Up the Signal features the work of emerging and established artists, working in a wide array of disciplines: photography, painting, performance, sculpture, spoken word, multimedia, installation, and interactive. In each case the work addresses the world beyond reason, and the ways in which we access it. The artists are: Michael Carter, Linda Connor, Mandy Kahn, Jeff Kober, Burton Kopelow, Joey Lehman Morris, Kristin Palombo, Craig Semetko, John Slepian, and Carel Struycken.
The exhibit is curated by LA-based artist, curator, and director David Orr.
The exhibit runs October 20th, 2018 - April 20th, 2019. Please contact email@example.com to make an appointment at the gallery. Public viewing hours are Tuesday evenings 5-7, and Fridays 10:30-3:30.
PRS is pleased to announce ILLUMINED, a brand new exhibition by Los Angeles-based artist and photographer David Orr, whose images are made from and inspired by our library's storied collection of rare texts and manuscripts.
For the ILLUMINED series David photographed spiritual, mystical, and philosophical texts—often one-of-a-kind, hand-printed and illuminated manuscripts—from our library’s private collection. After photographing a text, he recombines it, creating an abstracted, circular form that alludes to the worldview or mythology being represented. Each image becomes a balanced form, similar to a mandala, an idealized object of contemplation. The images are dye-infused into highly reflective aluminum discs, creating works of art that are as much objects as photographs.
“Worlds visible and invisible to us have been depicted in strikingly similar visuals over time,” says David, “the recurring form is always circular. Most often, these depictions possess a radial symmetry with repeated shapes emerging from a central point. You can see this arrangement in church and mosque ceilings meaning to represent the impossible order of the heavens; representations of the universe throughout time (the word cosmos itself means ‘order’); and in graphic depictions of particle motion, music, and sound—even the graphic symbol for chaos has order!”
Orr chose each text with an eye towards representing a range of disparate beliefs, from the sacred to the secular. The series includes recombinations of rare Alchemical and Theosophical manuscripts, hand-transcribed Buddhist Sūtras, and a first edition of Francis Bacon’s scientific work. “So many ideas and systems describe how the world works, and much of it can be thought of as a projection of our ideas onto the world,” Orr adds. “There are remarkable examples of ancient ideas proven correct by contemporary scientific study; Quantum Physics and Eastern thought, for example. These images mean to honor the ways in which we struggle to make sense of the world. Each image serves as a symbol and beacon of an ideal—sparks of thought in the dark.”
ILLUMINED will be on display from March 24th through September 16th. Visitors can check gallery hours by calling (323) 663–2167.