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Classical Myth & Mysteries 1 |
Classical Myth &
Mysteries 2
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Plato
From Thomassin's Recueil
des Figures, Groupes, Thermes, Fontaines, Vases et autres
Ornements
Plato's real name was Aristocles.
When his father brought him to study with Socrates, the great
Skeptic declared that on the previous night he had dreamed of
a white swan, which was an omen that his new disciple was to
become one of the world's illumined. There is [also] a
tradition that the immortal Plato was sold as a slave by the
King of Sicily. MPH |
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Æneas at the Gate of Hell
From Virgil's Aeneid
(Dryden's translation)
Virgil describes part of the
ritual of a Greek Mystery in his account of the descent of
Aeneas to the gate of hell under the guidance of the Sibyl. Of
that part of the ritual portrayed above the immortal poet
writes: "Full in the midst of this infernal Road, An Elm
displays her dusky Arms abroad; The God of Sleep there hides
his heavy Head And empty Dreams on ev'ry Leaf are spread. Of
various Forms, unnumber'd Specters more; Centaurs, and double
Shapes, besiege the Door: Before the Passage horrid Hydra
stands, And Briareus with all his hundred Hands: Gorgons,
Geryon with his triple Frame; And vain Chimaera vomits empty
Flame. The Chief unsheath'd his shining Steel, prepar'd Tho
seiz'd with sudden Fear, to force the Guard. Off'ring his
brandish'd Weapon at their Face; Had not the Sibyl stop'd his
eager Pace, And told him what those empty Phantoms were; Forms
without Bodies, and impassive Air."
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The Ptolemaic
Scheme of the Universe
From an old print, courtesy
of Carl Oscar Borg
In ridiculing the geocentric
system of astronomy expounded by Claudius Ptolemy, modern
astronomers have overlooked the philosophic key
to the Ptolemaic system. The universe of Ptolemy is a diagram
of the relationships existing between the various divine and
elemental parts of every creature, and is not concerned with
astronomy as that science is now comprehended.
In the above figure, special attention is called to the three
circles of zodiacs surrounding the orbits of the planets.
These zodiacs represent the threefold spiritual constitution
of the universe. The orbits of the planets are the Governors
of the World and the four elemental spheres in the center
represent the physical constitution of both man and the
universe. Ptolemy's scheme of the universe is a cross section
of the universal aura, the planets and elements to which he
refers having no relation to those recognized by modern
astronomers. MPH |
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The Orphic Egg
From Bryant's An Analysis
of Ancient Mythology
The ancient symbol of the Orphic
Mysteries was the serpent-entwined egg, which signified Cosmos
as encircled by the fiery Creative Spirit. The egg also
represents the soul of the philosopher; the serpent, the
Mysteries. At the time of initiation the shell is broken and
man emerges from the embryonic state of physical existence
wherein he had remained through the fetal period of
philosophic regeneration. MPH |
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A Female Hierophant
of the Mysteries
From Montfaucon's
Antiquities
This illustration show Cybele,
here called the Syrian Goddess, in the robes of a hierophant.
Montfaucon describes the figure as follows: "Upon her head is
an episcopal mitre, adorned on the lower part with towers and
pinnacles; over the gate of the city a crescent, and beneath
the circuit of the walls a crown of rays. The Goddess wears a
sort of surplice exactly like the surplice of a priest or
bishop; and upon the surplice a tunic, which falls down to the
legs; and over all an episcopal cope, with the twelve signs of
the Zodiac wrought on the borders. The figure hath a lion on
each side, and holds in its left hand a Tympanum, a Sistrum, a
Distaff, a Caduceus, and another instrument. In her right hand
she holds with her middle finger a thunderbolt, and upon the
same arm animals, insects, and, as far as we may guess,
flowers and fruit, a bow, a quiver, a torch, and a scythe."
The whereabouts of the statue is unknown, the copy reproduced
by Montfaucon being from drawings by Pirro Ligorio.
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Mithras Slaying the
Bull
From Lundy's Monumental
Christianity
This relief [prototokos]
shows Mithras kneeling upon the recumbent form of a great
bull, into whose throat he is driving a sword. The slaying of
the bull signifies that the rays of the sun, symbolized by the
sword, release at the vernal equinox the vital essences of the
earth—the blood of the bull—which, pouring from the wound made
by the Sun God, fertilize the seeds of living things. Dogs
were held sacred to the cult of Mithras, being symbolic of
sincerity and trustworthiness. The Mithraics used the serpent
as an emblem of Ahriman, the Spirit of Evil. The bull is the
Constellation of Taurus; the serpent, its opposite in the
zodiac, Scorpio. MPH |
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The Birth of
Mithras
From Montfaucon's
Antiquities
Mithras was born out of a rock,
which, breaking open, permitted him to emerge. This occurred
in the darkness of a subterranean chamber. The Church of the
Nativity at Bethlehem confirms the theory that Jesus was born
in a grotto, or cave. According to Dupuis, Mithras was put to
death by crucifixion and rose again on the third day.
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The Lion-Faced
Light-Power
From Montfaucon's
Antiquities
This Gnostic gem represents by
its serpentine body the pathway of the Sun and by its lion
head the exaltation of the solar orb in the Constellation of
Leo. MPH |
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A Symbolic
Labyrinth
From Montfaucon's
Antiquities
Labyrinths and mazes were favored
places of initiation among many ancient cults. Remains of
these mystic mazes have been found among the American Indians,
Hindus, Persians, Egyptians, and Greeks. Some of these mazes
are merely involved pathways lined with stones; others are
literally miles of gloomy caverns under temples or hollowed
from the sides of mountains. The famous labyrinth of Crete, in
which roamed the bull-headed Minotaur, was unquestionably a
place of initiation into the Cretan Mysteries.
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The Alexandrian Serapis
From
Mosaize Historie der Hebreeuwse Kerke
Serapis is often shown standing
on the back of the sacred crocodile, carrying in his left hand
a rule with which to measure the inundations of the Nile, and
balancing with his right hand a curious emblem consisting of
an animal with three heads. The first head—that of a
lion—signified the present; the second head—that of a wolf—the
past; and the third head—that of a dog—the future. The body
with its three heads was enveloped by the twisted coils of a
serpent. MPH |
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The Rape of
Persephone
From Thomassin's Recueil
des Figures, Groupes, Thermes, Fontaines, Vases et autres
Ornements
In his Disquisitions upon the
Painted Greek Vases, James Christie presents Meursius' version
of the occurrences taking place during the nine days required
for the enactment of the Greater Eleusinian Rites. The 1st day
was that of general meeting, during which those to be
initiated were questioned concerning their several
qualifications. The 2nd day was spent in a procession to the
sea, possibly for the submerging of an image of the presiding
goddess. The 3rd day was opened by the sacrifice of a mullet.
On the 4th day the mystic basket containing certain sacred
symbols was brought to Eleusis, accompanied by a number of
female devotees carrying smaller baskets. On the evening of
the 5th day there was a torch race, on the 6th a procession
led by a statue of Iacchus, and on the 7th an athletic
contest. The 8th day was devoted to a repetition of the
previous ceremonial for the benefit of any who might have been
prevented from attending sooner. The 9th and last day was
devoted to the deepest philosophical issues of the Eleusinia,
during which an urn or jar—the symbol of Bacchus—was exhibited
as an emblem of supreme importance. MPH
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Ceres, Patron of
the Mysteries
From a mural painting in
Pompeii
Ceres, or Demeter, was the
daughter of Kronos and Rhea, and by Zeus the mother of
Persephone. Some believe her to be the goddess of the earth,
but more correctly she is the deity protecting agriculture in
general and corn in particular. The poppy is sacred to Ceres
and she is often shown carrying or ornamented by a garland of
these flowers. In the Mysteries, Ceres is represented riding
in a chariot drawn by winged serpents.
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The Processional of
the Bacchic Rites
From Ovid's Metamorphosis
In the initiation of the Bacchic
Mysteries, the role of Bacchus is played by the candidate who,
set upon by priests in the guise of the Titans, is slain and
finally restored to life amidst great rejoicing. The Bacchic
Mysteries were given every three years, and like the
Eleusinian Mysteries, were divided into two degrees. The
initiates were crowned with myrtle and ivy, plants which were
sacred to Bacchus.
In the Anacalypsis, Godfrey
Higgins conclusively establishes Bacchus (Dionysos) as one of
the early pagan forms of the Christos myth: "The birthplace of
Bacchus, called Sabazius or Sabaoth, was claimed by several
places in Greece; but on Mount Zelmisus, in Thrace, his
worship seems to have been chiefly celebrated. He was born of
a virgin on the 25th of December; he performed great miracles
for the good of mankind; particularly one in which he changed
water into wine; he rode in a triumphal procession on an ass;
he was put to death by the Titans, and rose again from the
dead on the 25th of March: he was always called the Saviour.
In his mysteries, he was shown to the people, as an infant is
by the Christians at this day, on Christmas Day morning in
Rome."
At one time the Bacchic Rites
were of a high order, but later they became much degraded. The
Bacchanalia, or orgies of Bacchus, are famous in literature.
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The Scheme of the
Universe according to the Greeks and Romans
From Cartari’s Imagini
degli Dei degli Antichi
By ascending successively through
the fiery sphere of Hades, the spheres of water, earth, and
air, and the heavens of the moon, the plane of Mercury is
reached. Above Mercury are the planes of Venus, the sun, Mars,
Jupiter, and Saturn, the latter containing the symbols of the
zodiacal constellations. Above the arch of the heavens
(Saturn) is the dwelling place of the different powers
controlling the universe. The supreme council of the gods is
composed of twelve deities—six male and six female—which
correspond to the positive and negative signs of the zodiac.
The six gods are Jupiter, Vulcan, Apollo, Mars, Neptune, and
Mercury; the six goddesses are Juno, Ceres, Vesta, Minerva,
Venus, and Diana. Jupiter rides his eagle as the symbol of his
sovereignty over the world, and Juno is seated upon a peacock,
the proper symbol of her haughtiness and glory.
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The Great God Pan
From Kircher’s OEdipus
AEgyptiacus
The great god Pan was celebrated
as the author and director of the sacred dances which he is
supposed to have instituted to symbolize the circumambulations
of the heavenly bodies. Pan was a composite creature, the
upper part—with the exception of his horns—being human, and
the lower part in the form of a goat. Pan is the prototype of
natural energy and, while undoubtedly a phallic deity, should
not be confused with Priapus. The pipes of Pan signify the
natural harmony of the spheres, and the god himself is a
symbol of Saturn because this planet is enthroned in
Capricorn, whose emblem is a goat. The Egyptians were
initiated into the Mysteries of Pan, who was regarded as a
phase of Jupiter, the Demirugus. Pan represented the
impregnating power of the sun and was the chief of a horde of
rustic deities, panes, fauns, and satyrs. He also signified
the controlling spirit of the lower worlds.
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